An Anthology of Photographic Criticism by James Hugunin

U-Turn Monograph Series #6 (1993, web version 2001)
Theory/Criticism, 292 pages, 8.5 x 11 in.,

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Writing Pictures: Selected Essays, 1987 - 1993 by James Hugunin
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Front cover, title page, acknowledgments, table of contents
Author's Introduction
Cultivating a Rhizome: Lou Stoumen's (Human) Family Album
From Catop-Tricks to Cliff Dwelllings: The Art of Barbara Kasten
Crisis of the Crisis of the Real
Meditations on a Ukrainian Easter Egg
Cluing in to Baldessari or What is the Impact of Two Coasts Meeting?
A Critical Contest, Richard Bolton and Carol Squiers
An Artful Dodge, The Art of Fixing a Shadow
Retro-Doc: Nostalgia Obscures "Changing Chicago"
Subjective Fotographie and the Existentialist Ethic
Mixed Up with Objects: Meditations on Frederick Sommer's Photographs
Disputing Grounds, John Tagg
Discipline and Photograph: Agency/Structure and the Prison Experience
Bob Saltzman's La Pinta: An Incredible Topology
Author's Biography
Back cover


Writing Pictures: Selected Essays, 1987 - 1993 anthologizes 13 major essays of photographic criticism by James R. Hugunin, Associate Adjunct Professor, Department of Art History, Theory, and Criticism, The School of the Art Institute of Chicago and winner of the 1983 First Place Award for the Reva and David Logan Award for Distinguished New Writing in Photography.

Topics covered:

  • Lou Stoumen's photo books
  • Barbara Kasten's Architectural Sites and Puye Cliff Dwelling photographs
  • Andy Grundberg's Crisis of the Real
  • Hugunin's 1983 Reva and David Logan Award Winning Essay
  • John Baldessari's Retrospective
  • Richard Bolton's The Contest of Meaning & Carol Squiers's The Critical Image
  • The Art of Fixing a Shadow Exhibition
  • Changing Chicago Exhibition
  • Subjektive Fotographie
  • Frederick Sommer's photographs
  • John Tagg's Disputing Grounds
  • Analysis of Photography of Prison Inmates
  • Bob Saltzman's La Pinta collaborative project with Inmates